About
Every textile I create begins with British wool sourced directly from local farms in Devon and Cornwall. From raw fleece to finished piece, every stage of the process takes place by hand in my Devon studio. The wool is washed, carded, naturally dyed, felted and finished entirely by me, creating textiles that are fully traceable and deeply connected to the landscapes from which they originate.
Working in this way allows me to remain connected to every stage of each piece, from raw fleece to its finished form. It is a slower approach to making, one rooted in traditional craftsmanship, respect for natural materials and a commitment to creating pieces that are made to last.
My story
My connection with wool began in childhood, growing up on a smallholding surrounded by sheep and the countryside. From an early age, I developed a deep appreciation for animals, the natural world, and the materials it provides.
My first experience of felting came in childhood, when I attended Christmas felting workshops where I created small wool decorations. I was captivated by the process - the transformation of loose fibres into something tangible.
Years later, during my school studies, I returned to this early passion and began exploring needle felting. I became fascinated by the precision and detail that could be achieved with wool fibres, using them almost like a painter uses a brush to create intricate imagery.
Through studying Textiles at The University of Edinburgh, my practice became rooted not only in craftsmanship but also in purpose, with a growing interest in sustainable design, material traceability and responsible production. These values drew me back to felting and inspired me to explore the potential of locally sourced wool.
Today, I create handcrafted textiles using wool sourced directly from local farms, transforming a natural, traceable material into contemporary pieces that celebrate traditional craft, sustainability, and the landscapes and communities from which they originate.
Why British wool?
Britain is home to over 20 million sheep, making wool one of our most abundant natural fibres. Yet despite its remarkable qualities, British wool remains undervalued, with significant quantities going unused or burnt each year.
I believe this extraordinary material deserves far greater recognition.
British wool is renewable, biodegradable, breathable, durable, naturally temperature regulating and remarkably resilient, making it a fibre that is as practical as it is beautiful. As a completely biodegradable natural fibre, wool can return safely to the earth at the end of its life. Before then, its remarkable durability allows it to be repaired, restored and treasured rather than replaced.
By sourcing directly from local farmers, I am able to pay a fair price for their fleece while maintaining complete traceability throughout the making process. Knowing exactly where my materials come from, and transforming them myself from fleece to finished textile, creates a connection to each piece that simply cannot be achieved through conventional manufacturing.
Why natural dyes?
In a world dominated by synthetic alternatives, I choose to work with the colours of nature.
Conventional textile dyeing is one of the world's largest sources of industrial water pollution. Many synthetic dyes are derived from petrochemicals and, in parts of the world where wastewater is poorly treated, dye effluent can contaminate rivers and harm aquatic ecosystems.
Natural dyeing offers a different approach. Using colours extracted from plants and natural materials, I carefully develop rich, lasting shades that are beautifully consistent while retaining the depth and character that only nature can provide. Every colour is created through a thoughtful, hands-on process that respects both the fibre and the environment.
Natural dyeing is about slowing down, creating thoughtfully, and making textiles that honour both craftsmanship and the natural world.
A slower way of making
Every textile is created entirely by hand in my studio. Beginning with raw fleece collected directly from the farm, I wash, card, naturally dye and felt each piece before carefully finishing it into its final form. Whether creating upholstery, cushions or intricate needle-felted wall pieces, the process remains the same: thoughtful, considered and entirely handmade.
Every stage is completed by me, ensuring complete transparency, exceptional quality and a genuine connection between the finished textile, the landscape it came from and the home it will eventually become part of.
My hope is that each piece not only brings warmth and character into a home but also encourages a deeper appreciation for British wool, traditional craftsmanship and the value of making things slowly.